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Santoro, Claudio - Fantasias Sul America; Sonata for Solo Violin - Soloists of the Sao Paulo Symphony Orchestra
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Claudio Santoro was one of Brazil’s leading composers, having written a considerable amount of solo, chamber and orchestral music, including arguably the most important symphonic cycle ever written in that country. The fifteen Fantasias Sul América, composed as competition pieces for individual instruments, represent fascinating syntheses of his style heard in compressed form. Freely atonal and highly virtuosic, these pieces are now standard repertoire for Brazilian soloists, and were even used later by Santoro as material for his SymphonyNo.12(Naxos8.574406). The youthful Sonata for Solo Violin is a work of extraordinary density and experimentation that reveals an aesthetically consistent dialogue with the much later Fantasias.
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Fantasia Sul América for Solo Flute | |
1 |
Fantasia Sul América for Solo Flute |
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2 |
Transições para um Encontro de 3 Fantasias: No. 1. |
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3 |
Fantasia Sul América for Solo Oboe |
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4 |
Transições para um Encontro de 3 Fantasias: No. 2. |
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5 |
Fantasia Sul América for Solo Clarinet |
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6 |
Transições para um Encontro de 3 Fantasias: No. 3. |
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7 |
Fantasia Sul América for Solo Bassoon |
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8 |
Transições para um Encontro de 3 Fantasias: No. 4. |
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9 |
Fantasia Sul América for Solo Guitar |
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10 |
Fantasia Sul América for Solo Horn |
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11 |
Fantasia Sul América for Solo Trumpet |
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12 |
Fantasia Sul América for Solo Trombone |
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13 |
Fantasia Sul América for Solo Tuba |
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14 |
Fantasia Sul América for Solo Piano |
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15 |
Fantasia Sul América for Solo Violin |
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16 |
Fantasia Sul América for Solo Viola |
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17 |
Fantasia Sul América for Solo Cello |
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18 |
Fantasia Sul América for Solo Double Bass |
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19 |
Fantasia Sul América for Voice and Piano |
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20 |
I. Prelúdio |
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21 |
Ii. Allegro com brio |
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22 |
Iii. Lentamente |
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23 |
Iv. Allegro gracioso |
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