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Thalberg, Sigismond - L’art du chant (2 SACD) - Wee, Paul



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International lawyer by day and piano virtuoso by night, Paul Wee made his recording début in 2019 with some of the most technically demanding piano music there is: Alkan’s Symphony and Concerto for solo piano. He now returns with music which presents a different, but not lesser challenge: how make the keyboard sing. The piano is by nature a percussive instrument – the sound is created by little hammers falling on strings. To create a true legato – or the illusion of it – has been the aim of generations of pianists, but few have taken the matter as far as Sigismond Thalberg. A giant in nineteenth-century pianism, Thalberg was born in 1812, the year after Franz Liszt, his greatest rival on the international concert circuit. In comparison to the latter, Thalberg was often singled out for his ability to make the piano sing, an art which he himself highlighted in a collection of transcriptions aptly named The Art of Singing Applied to the Piano. Published between 1853 and 1863, the collection included Thalberg’s adaptations of popular arias by Bellini, Rossini and Weber and songs by Beethoven and Schubert, but also other vocal works, such as Lacrimosa from Mozart’s Requiem. This nowadays little-known but fascinating chapter in the history of pianism is presented by Paul Wee, together with a substantial booklet which includes his own liner notes as well as Thalberg’s foreword, with the master’s advice to those who want their keyboards to sing.
Fakta
Varenummer BIS2515
Strekkode 7318599925158
Utgivelsesdato 06.11.2020
Kategori Klassisk
Plateselskap BIS
Media Hybrid SACD
Antall enheter 2
Utøvere
Artister Wee, Paul
Komponister Thalberg, Sigismond
Plate: 1
L’art du chant appliqué au piano, Op. 70
1 No. 1 A te, o cara (quartet from Bellini’s I Purit
2 No. 2 Tre Giorni (Pergolesi)
3 No. 3 Adelaide (Beethoven)
4 No. 4 Pietà, signore (attr. Stradella)
5 No. 5a Lacrimosa (from Mozart's Requiem)
6 No. 5b Sull'aria (from Mozart's Marriage of Figaro
7 No. 6 Perchè mi guardi e piangi (from Rossini's Ze
8 No. 7 Bella adorate incognita (from Mercadante's I
9 No. 8 Nel silenzio fra l'orror (from Meyerbeer's I
10 No. 9 Einsam bin ich nicht alleine (from Weber's P
11 No. 10 Der Müller und der Bach (from Schubert's Di
12 No. 11 Schelm, halt fest! (from Weber's Der Freisc
13 No. 12 Il mio tesoro (from Mozart's Don Giovanni)
Plate: 2
Ten Piano Pieces, Op. 36
1 No. 13 Sérénade (from Rossini's Barber of Seville)
2 No. 14 La dove prende (from Mozart's Magic Flute)
3 No. 15 Barcarolle (from Donizetti's Gianni di Cala
4 No. 16a Protegga il giusto cielo (from Mozart's Do
5 No. 16b Là ci darem la mano (from Mozart's Don Gio
6 No. 17 Sérénade (from Grétry's L'amant jaloux)
7 No. 18 Assisa a' piè d'un salice (from Rossini's O
8 No. 19 Casta diva (from Bellini's Norma)
9 No. 20 Voi che sapete (from Mozart's Marriage of F
10 No. 21 Fröhliche Klänge, Tänze, Gesänge (from Webe
11 No. 22 Dafydd y garreg wen (ancient bardic aria)
12 No. 23 Ein Mädchen, das auf Ehre hielt (from Haydn
13 No. 24 Fenesta vascia (Neapolitan song)
14 Täuschung
15 Der Neugierige
16 Die Post
  
17 Auf Flügeln des Gesanges
Ten Piano Pieces, Op. 36
18 Mi manca la voce
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