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Babajanian, Arno - Piano Trios - Sudbin, Yevgeny



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In Russian chamber music, a rather special tradition evolved around the piano trio, with a number of composers turning to the genre to write ‘instrumental requiems’. First out was Tchaikovsky with his Piano Trio in A minor, Op.?50, ‘a la memoire d’un grand artiste’, and he was followed by composers such as Rachmaninov, Arensky and Shostakovich. In the case of Tchaikovsky’s trio, the ‘grand artiste’ was the pianist Nikolai Rubinstein, and Tchaikovsky chose the trio genre as he felt that a piece for solo piano would be too lightweight and one with orchestral accompaniment would be too showy. The work is in two movements, a Pezzo elegiaco (‘elegiac piece’) and a set of variations, and it begins with the cello playing a moving lament which sets the tone for the entire first movement. The theme returns at the end of the second movement in the form of an impassioned funeral march. Seventy years later, when the Armenian composer and pianist Arno Babajanian (1921—83) wrote his Piano Trio in F sharp minor, he didn’t give it any subtitle, but there’s a grandeur and breadth of scale which rivals Tchaikovsky’s work – and the second movement is thoroughly elegiac in character. The trio is Babajanian’s best-known work, composed in the Romantic style of Rachmaninov, but also rooted in Armenian folk music, melodically as well as rhythmically. Performing the two works are Vadim Gluzman and Yevgeny Sudbin, both with Russian roots, joined by cellist Johannes Moser, and the three close the disc with Sudbin’s arrangement of a brief Tango by Alfred Schnittke.
Fakta
Varenummer BIS2372
Strekkode 7318599923727
Utgivelsesdato 04.10.2019
Kategori Klassisk
Plateselskap BIS
Media Hybrid SACD
Antall enheter 1
Utøvere
Artister Sudbin, Yevgeny
Gluzman, Vadim
Moser, Johannes
Komponister Babajanian, Arno
Tchaikovsky, Pyotr
Plate: 1
1 I. Pezzo elegiaco
2 II. Tema con variazioni: Tema (Andante con moto)
3 II. Variation I
4 II. Variation II. Più mosso
5 II. Variation III. Allegro moderato
6 II. Variation IV. L’istesso tempo
7 II. Variation V. L’istesso tempo
8 II. Variation VI. Tempo di valse
9 II. Variation VII. Allegro moderato
10 II. Variation VIII. Fuga. Allegro moderato
11 II. Variation IX. Andante flebile, ma non tanto
12 II. Variation X. Tempo di Mazurka. Con brio
13 II. Variation XI. Moderato
14 II. Variazione Finale e Coda
15 I. Largo - Allegro espressivo
16 II. Andante
17 III. Allegro vivace
18 Tango from the opera Life with an Idiot
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